So yeah, if you want Emmures drum sounds, those would be a good place to start.

Due to money and the fact that im a student, contemporary recording doesnt happen a lot for me, so the recording methods i use may be slightly different to most people on here.

I like to record live acoustic drums, but then run the signals through a sample replacement afterwords to give a much more beefier sound (bad room, basically only using the live mics for the signals alone so i dont spend hours on a piano roll.) I DI my guitars and use impulses so that is great, but i always seem to struggle with my drums.

Im after huge sounding drums (refering mainly to Emmure here) Kick drums, which are more defined in the sub ranges (40-70hz) and snares which have such slingshot attack on them but also have a huge body sound to them, as well as a defined toppy sound.

Does anybody have any drum samples that you think will suit what im after Ok guy, thanks for the feedback.

Maybe the samples themselves isnt really the source of the issue i am after.

Out of curiosity, what are your own - personal preferences to mixingtracking drums.

Do you send them all to a bus etc and use soft units, or hardware units etc.

Maybe add overall kit overdrivea little distortion and put it quite quiet to bring punch to the kit.

It sounds quite muddy not pristine and sort of like holding a thin sheet of paper between my ears and the speaker, if that makes sense.

Wild Speculation.

Ill tell you why he is so popular in the Forum.

The guy is in his late 20s I believe And has put his faith in the digital age and his mixes that, lets just say carry a huge FUCK YOU to all the wankers out there that put you down at the first hurdle.

That say, No, dont replace those kicks and snares, are you mad Itll only ever sound good if you get top class mics on top class kit and use the recording you are given.

Joey Sturgis Drum Samples Zip